SOUND STORIES contain an extracted collection of my ambient soundwork for 30 years, 1990-2020 for radio, theatre, movie and art spaces. You will find a variety of unconventional sonic aesthetics and experimental sound design.
SOUND STORIES run the full gamut from subsonic drones, evolving pads and haunting modulations to weird, surreal atmospheres. These sounds where created from processes including granular synthesis, modular synthesis, time stretch manipulation, recontextualized source material, generative composition, morphing wavetables, field recordings and many other cutting edge techniques. Sounds which span multiple genres and is perfect for getting your creativity flowing.
Questions of belonging and migration, of environmental and political conflict, riddle everyday life. How to participate within this mass of information, to figure oneself in relation to the presences and pressures that come flooding through each day to carry numerous identities. How to be located within the flux of multiple geographies both proximate and remote. Such contemporary conditions brings forward a shift in critical focus, requiring more situational and networked understanding, an ecology of thought and engagement.
Sound is always already mine and not mine—I cannot hold it for long, nor can I arrest all its itinerant energy. It is based on empathy and divergence, allowing for careful understanding and deep involvement in the present.